“I remember coming in the game and having nothing but my mixtape material to go off of,” says Fab. “Mo stepped in and was like, ‘I wanna use that kid Fab on my “Superwoman” joint.’ Her record label was like, ‘You just did a joint with Jay-Z, Ja Rule, Missy Elliot. Why are you getting some mixtape kid?’” He smiles at the memory. “She was pretty much like, ‘This nigga is dope, and this nigga is gonna be the next nigga.’”
Mo was right. Smooth-flowing Fab proved himself capable of fitting the same witty lyricism he employed on his mixtape freestyles into a more song-oriented, radio-friendly format.
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